Friday, March 25, 2016

Milkman’s Matinee

A Boy Remembers His Father

An autobiographical novel

by John J. Dorfner

Cooper Street Publications, Raleigh, NC 27615

reviewed by Mykola Mick Dementiuk

This is a tale of memory and recollection of a boy’s love for his father while growing up into manhood. When suddenly the father snaps it away by taking his own life as a sort of chastisement of the boy’s budding awareness of that self-worth. Now what boy could live with that?! Yet John Dorfner did, almost making a circle of his love that much stronger for his Dad by going back in memory to the time he remembered the past as he rode on his father’s milk truck and assisted in the labor, sharing in the everyday toils of the Milkman’s Matinee.

Each day the boy and his Dad awoke very early to make the delivery of dairy products on their route through the still-sleeping Kingston, NY community. They’d travel and talk about everything in the world, baseball games, girls and boys in school and especially Dad’s skill of being an outdoors man and bringing down some deer while hunting. One thing about Dad was that he was always smiling, perhaps from an era when the customer is always right, but Dad “was always so nice to everyone”, always having a “Yes, Sir, Yes, Ma’am,” on his lips that the boy Dornfeld wanted to flail, “Don’t say that...tell them how you really feel.”

Still the boy Dorfner stood in awe of his Dad, it’s certainly clear in this autobiography but it’s more than that, the boy accepted the man not only as his father and teacher but also as someone, though still unbeknownst to him, he would one day write of in a book as a sort of literary homage. Though it’s a short book yet it’s very moving in the way it was written, trying to explain the past while living in the present time, which is the here and now. Dornfeld has done an excellent job in reliving that past and giving further life to the man who will “haunt (his) milktruck for an eternity."

Dorfner is also the author of Kerouac: Visions of Lowell and Kerouac: Visions of Rocky Mount, please contact him directly:

Lambda Award given twice, Bisexual Fiction 2009 and Gay Erotica 2011

Monday, October 26, 2015

Vovochka, The True Confessions of Vladimir Putin’s Best Friend and Confidant

Vovochka, The True Confessions of Vladimir Putin’s Best Friend and Confidant

by Alexander J. Motyl

Anaphora Literary Press, Augusta, Georgia 2015

Reviewed by Mykola Mick Dementiuk

     There is a curious scene in the dim humorous novel Vovochka when the two lead characters, both named Putin and both called Vovochka, are in Communist-controlled East Berlin and decide to hop over the Wall and partake of the heady pleasures of West Berlin.

     To a typical Alexander Motyl reader this may be chuckled at and passed over as a typical playful Motyl-jokesterism but to this reader, walljumping was a dire and deadly risk that East German young men partook of very often, as documented by Peter Schneider in his book The Wall Jumper, published in 1982, seven years before the Fall of the Wall but which as a political science professor Motyl would certainly be aware of. They’d daringly get over the Wall, drink and drug and party, then cross back over and resume their dull, boring lives.

     Hard to fathom this but with a young Putin Vovochka and his buddy, another Vovochka, these daring walljumping events became common place and clearly in their world-view certainly obvious. Their boldness and risk daring sets them apart and in good stead of each other as they grow and function in Berlin, Leningrad, Moscow burrowing their way through the quagmire that is the Soviet government and into the secret service, the KGB.

     But in a world which is rapidly and constantly changing, and with the troubled appearance of an old and senile Brezhnev, a drunken Yeltsin, and an inept Gorbachev, the stage is set for young Vovochka to play his part.

     Motyl shows us Vovochka as an egomaniac ruler of Russia, slowly and horribly taking back the Russian empire which was his under the Tsars and the Communist rulers, but lost and rapidly disappearing in the past decade or so, is getting back to where it was destined to be, under Vovochka’s strict control.

     The first part of the book is humorous, playful as the two Vovochka’s come out, but in the second part the funny cheer becomes humorless, stern and regimented as Vovochka holds his power and strengthens it in every direction. Thus once again becoming what he was destined to be, the supreme ruler of Russia, Tsar Vovochka. If you want to know what Russian history could be or is becoming, I highly recommend this book.

Alexander J. Motyl (b. 1953, NYC) is a writer, painter, and professor. Nominated for the Pushcart Prize in 2008 and 2013, he is the author of six novels, Whiskey Priest, Who Killed Andrei Warhol, Flippancy, The Jew Who Was Ukrainian, My Orchidia, and The Taste of Snow, Fall River. He has done performances of his fiction and poetry at the Cornelia Street Café and the Bowery Poetry Club. Motyl’s artwork has been exhibited in solo and group shows in NYC, Philadelphia, and Toronto and is on display on the Internet gallery, He teaches at Rutgers University-Newark and lives in NYC.

Reviewed by Mykola Mick Dementiuk

Saturday, November 8, 2014

The Berlin Wall, 25 years ago

The Berlin Wall, 25 years ago

25 years ago, November 1989, I was traveling about in Europe when suddenly the whole scene exploded into cheers and jubilation, the Berlin Wall had come down... What do they say about all the King's horses and all the King's men?

I had just spent a grueling three years on my first novel, Holy Communion, which did come to win the Lambda Award and a nice Christmas break in Europe would be ideal. I was planning to go to the land of my teachers, Strindberg, Ibsen, Knut Hamsen, but in Malmo, Sweden the news was constant, something was happening in Eastern Europe. I took the train to Copenhagen and another to West Berlin, it was November 9, 1989...

These are a few photos of the event I saw during that historic week (a few were shown a week earlier).

Mykola Dementiuk-web page
dementiuk-various e-books
Books and E-books under Amazon 

Lambda Literary Awards Winner 2013/Gay Erotica, 2009/Bisexual Fiction

Sunday, August 10, 2014

Fall River

Fall River

by Alexander Motyl

published by Alternative Books Press

reviewed by Mykola Mick Dementiuk

In trying to probe into and remember the past, Alexander Motyl, author of Fall River, gives us a new meaning and resonance to the characters who lived so long ago, the 1920s, the 30s and the 40s, lived, worked, suffered and were erased by History.

There is a faint memory, a theme permeating the entire novel, echoing at certain points but uncertain of what the reality actually is. “ Smo’getsinyorize,” is constantly being repeated over and over by some characters until a Soviet overlord puts a bullet between the eyes, after much torture and castration,  and brings the entire charade to an end. The melody is “Smoke Gets In Your Eyes,” and seems to be one of the memories carried by the three main characters, Mike, Manya and Stefa, all brother and sisters at certain points of their lives, as they travel back and forth from nation to nation as if confused where to settle and live, Fall River, New York City or in Poland/Ukraine.

It starts off with Mike in a new country, learning the new tricks and the language of America and hitting up on every woman he comes upon, Edna, Wanda, or who? Poor Mike, what pain and suffering he brings upon himself.... Between Manya and Stefya, his sisters, they too are confused by the new country but they must work and raise families in the new homeland. But, of course, their father drags them back to Polish Ukraine after their mother’s death, only to live with the German Nazis coming into power in the late 1930s, early 40s.

Motyl paints a beautiful picture of the confused characters as they struggle to survive in a blustering country at a time when chaos seemed the order of the day. Being Ukrainian myself, I fully understand how almost impossible it may be to track down and isolate the scant moment of that past...

And Motyl does an excellent job in recreating the tenements, the moods, the feeling that was not only Polish Ukraine but the entire Ukrainian Lower East Side. Again, you could get lost and disappear in it. An excellent job, New York City and the Ukrainian Lower East Side lives again!

Alexander J. Motyl (b. 1953, NYC) is a writer, painter, and professor. Nominated for the Pushcart Prize in 2008 and 2013, he is the author of six novels, Whiskey Priest, Who Killed Andrei Warhol, Flippancy, The Jew Who Was Ukrainian, My Orchidia, and The Taste of Snow. He has done performances of his fiction and poetry at the Cornelia Street Café and the Bowery Poetry Club. Motyl’s artwork has been exhibited in solo and group shows in NYC, Philadelphia, and Toronto and is on display on the Internet gallery, He teaches at Rutgers University-Newark and lives in NYC.

 Lambda Literary Awards Winner 2013/Gay Erotica, 2009/Bisexual Fiction

Monday, August 4, 2014

Baby Doll

Baby Doll
by Mykola Dementiuk
edited by Sally Miller
Mykola Dementiuk has again brought us an unusual story of a youth growing up in New York City. Skipping school as a daily routine, the main character of Baby Doll finds himself spending time at the East River Park, looking for girls. Instead he finds a pair of pink underwear which take him on an adventure that shapes his future.
Baby Doll gives us a literary look at the complicated psychodynamics of love and sex between a boy and a man in America in the early ’80s (the beginning era of AIDS, sex-offender witch-hunts, and gay/transvestite visibility). Like a good movie, Baby Doll is definitely worth giving a second (or third) read. Mykola’s mastery at storytelling and excellent writing will keep you engaged the first time through, but subsequent readings will help you understand the complex forces that unfold between the characters. You may question his opinions on femininity and relationships, but you won’t be able to ignore Mykola’s love for words as well as his understanding of a boy’s feelings and behavior.
One of the best things I'd written, still gets me hard...
read more: Baby Doll

Saturday, February 8, 2014

Tenement Tales of New York

Tenement Tales of New York
James William Sullivan

reviewed by Mick Mykola Dementiuk

    “Pat Murphy, boy of eight years, whose clothes were dirty, whose hair was tousled, face smudged, and hands blackened…” Thus begins Tenement Tales of New York, an out-of-print book, published in 1895, and whom we have to thank Ephemeral New York for bringing it to our attention.
     I enjoyed reading this book of tales; it brought old New York to my touch and grasp. Such as Slob Murphy, the rowdy boy of New York streets in the late 1880-90s, who injures his hand and is at death’s door as a result. He has remorse for all the street fighting and shenanigans he’s done over his short years and seeing a vision of his dead mother, says the Lord’s Prayer and passes away.  A bit maudlin but I suppose that fits in with the time. His friends and acquaintances sadly look upon his passing, till someone says, " Wot's dey a-goin to do wit' his old cloze ? " Each hungry for getting something or other to take care of them; a shrug at the dead boy. Meanwhile his father, who is angry, but dares any police office to get at his son’s dead body. He speaks with a typical Irish accent, reminiscent of Charles Dickens characters, declaiming, avowing, and swearing. In a way, it sounds like a pleasant blarney which we no longer hear in these parts. (Oh, how New York has changed…) We follow the funeral procession to a solemn burial and what else? his father ends up dead drunk, and life in New York goes on…
     In another tale, Minnie Kelsey’s Wedding, a girl sits in a tenement all bundled up from the chill and looking out a window. “(D)oors slamming, children wailing, women scolding, boys hallooing, all mingling with the endless clatter of kitchen labors.” She had arrived in the city expecting a very different life but very quickly was trapped in its poverty and go-nowhere existence, nothing but a factory girl working day after day at the same tedious labor. Still, she has friends who invite her to attend a ball, and though she isn’t sure of going she says yes. At the ball she sees the man of her dreams. At first she intimidated when she hears other gossiping about his fiery nature and that he has a different girl every weekend. But alone with her the two-timing man proposes… A schmaltzy story, still with the rest of the tales in the book it fits right in.
     Cohen’s Figure is about a sewing machine operator, a boring lackluster job, but which has been done for countless year after year, while Luigi Barbieri concerns a new Italian merchant at Mott Street fruit emporium, who arranges every fruit on his stand but still can’t get any customers, just a few. “If he could but learn to speak fluently to the Americans, like his padrone, he might some day become a man of influence himself. He might even aspire to an East Side grocery store, with a stock of Italian goods.” He helps a little girl from getting run over by a truck and he himself is struck down. The only tears someone sheds is the vague obituary "I wonder what killed off the last one — laziness or bad whisky?"
      Leather’s Banishment is about a boy pick-pocketing a woman on the subway and disappearing with her screaming behind him; he’s done this countless times and will do it again. In Not Yet dreamer Ivan, whose always dreaming of ‘castles in Spain’ reads the paper and takes the subway each morning to work, where he labors before his sewing machine and reads reports from Russia and Germany.  At work it’s payday and suddenly he feels cheated, being fined for a ruined jacket collar which did didn’t do. Is outraged by the injustice but what can he do? He sinks back into his socialist dreams of the future where the world is all right and fair. Instead “…from the open doorways of the tenements, and falling into the broken lines of passers- by hurrying along on the sidewalks, were poor-looking work-people,— men, women, children.”
    While in A Young Desperado a rich 7 year old boy accidentally wanders into the poor neighborhood where the poor kids attack him. He meets other boys; one takes him around the city, on buses and cars and tells him that he eats about once a week. Teaches him the way of the streets...
     These different tales about immigrant life in New York City in the 1890s show that the city is always throbbing and booming, and always one step ahead of everybody. In many of the stories we get glimpses of what it was like among the poor folk. What this book does is bring the street life into clear focus and vision, the different crowds, the traffic on the street, the rubbish, the debris and the countless other little things which were a part of living in New York, uptown, downtown, the poor are everywhere, East Sire, West Side, all around the town…so to speak. Still, I enjoyed it very much; captures the mood of New York and how it was so very long ago. As it is drastically changing now it has been constantly changing on and on…  

An aside: Though I very much liked reading this there is a more recent book about New York in the early 1900s The Golem and the Jinni by Helene Wecker A book that will certainly set your old New York imagination spinning. A grand book!

Wednesday, February 5, 2014

Raiding The Sanctuary

Raiding the Sanctuary
Redcatchers in Cambodia, May 12th-June 25th, 1970

by Robert J. Gouge

reviewed by Mick Mykola Dementiuk

     In thinking of writing this review I quickly realized how little I know about one of the main characters Ihor Dopiwka, whose jangled voice, one of many, echoes throughout its pages. I knew Ihor back in grade school for maybe seven, eight years, fifty years ago, when afterwards we quickly lost contact with each other and went our separate ways. Adulthood was upon us, holding a job, getting a girlfriend, playing out our adult responsibilities, like being married, raising kids, or else going off to war. Ihor went to war and fought; I stayed home and demonstrated against it. Two paths were taken, two opposite lives were being lived.
      This book is about one segment of the Vietnam War, America’s secret invasion of Cambodia May-June 1970, but to me the book is about one soldier in its ranks, Ihor Dopiwka, E/5-12, of the 199th Light Infantry Brigade, a young man with whom I went to grade school. Ihor found me on the Internet and I instantly responded. It’s a miracle he didn’t get killed, as so many with him did in battle, but who had something I didn’t have: the courage to leave his home behind and go off to fight a war.
     Because the closest I ever came to the Vietnam War (1961-73) was in going to see the movie Apocalypse Now (1979) in my usual drunken state. Man, was that film totally weird but in a way was awesomely great! I saw it a few times afterwards, trailing the complicated story of Captain Willard (Martin Sheen) as he followed the trail through Vietnam and Cambodia, going after the elusive American renegade/officer Colonel Kurtz (Marlon Brando) who even the American military wanted dead. This almost existential portrayal of the characters had me imagining Vietnam couldn’t be such bad place to be in, deadly and dangerous for certain, but morbidly seductive. Now who wouldn’t want to be in a Saigon hotel room drinking and fighting your own demons as Willard was doing in the beginning of the film? What valor, what pride, what bravado! Buaoh! (Throwing up…) Shaking my head, I think, “What drunken idiocy…”
     I spent most of the Vietnam War years drunk and inebriated, having successfully beaten the draft and once in a while going to an anti-war demonstration while trying to pick up a cute demonstrating girl. But to little or no avail. No War meant the same as No Pussy. I did see Ihor at one time as I marched on Fifth Avenue screaming/chanting at the blasé crowds sneering at us. Ihor stood looking at me, shaking his head, “Nicky, Nicky…” he muttered (using my childhood name); I instantly recognized him but just lowered my head, trying to disappear in the protesting crowd.
     The years went by; I graduated from college, cleaned my act up and struggled at becoming a writer. Yet being a writer was a snap, but still no publisher cared with what I had written, the manuscripts simply kept going out and just as easily they were returned. Time passed, new wars started, new demonstrations began same as it ever was. It didn’t matter whether I was old or young the angry world did what it wanted to do. Eventually, I did make a tiny headway into the publishing world and won the Lambda Award/Bisexual Fiction for my novel Holy Communion, which was about a young boy going through his religious ceremony at the innocent age of seven, an age when Ihor and I would’ve been, when we were just still obedient classmates.
     Ihor and I spent one summer together marauding on his street, 9th Street between 1st and 2nd Avenue, playing tag, hide ‘n seek, stickball, if we could manage that since they were digging up his street for pipes changes. After the workers were gone in the evening, the mass of holes on the street must have looked like the foxholes of Ihor’s inquisitive imagination, a reality of his foreboding future, a reality that was now quickly approaching. On the street with Ihor lived other classmates, Bohdan, Zenon, Jaroslaw, and many others. We lived in a neighborhood which was crowded with other Ukrainians, 6th Street, 7th Street (where our church and school were), 8th Street, 9th Street, that if you went up or down a block someone would be there who knew you simply by your nationality; I myself lived with my parents on 13th Street, we weren’t that much far away from the Ukrainian community, still sort of living on the edge, you might say. Still, I played with Ihor and his buddies most every chance I got.
    But the years came and went and we shuffled in different directions, other high schools, other girlfriends, other interests and goals. This was the late 1960s and a new explosive world was beckoning, calling to us from different directions. Hair was getting longer, skirts were rising higher and higher, and Love was everywhere in the air.
     Since the draft was close upon him I suppose Ihor joined the military, as I’m sure many of the boys in the neighborhood were doing. I myself had drifted to California, joining the new Haight-Ashbury Hippies movement. Ihor went through boot camp and found himself with other new soldiers “in the hellhole of the world” (as it was called in Apocalypse Now), the country of Vietnam, with constant helicopters going chuck a chuck a chuck a chuck… 

“(With) a unique mixture of whites, blacks, Native Americans and Hispanics, the average age of the combat infantryman in Charlie (Company) was 20.5 years old. Nearly all had graduated from high school and a substantial number of them had earned college credit or had attended trade-schools before being drafted. Several of the “older” men were four-year college graduates.”

     Really, no different from the rest of American young society…
     Ihor’s service with the Redcatchers was as a sniper, hiding in the bush and firing at an unsuspecting Viet Cong, while still going through the turmoil of the rest of his men, waging in a constant battle they were under.
     This book Raiding The Sanctuary, is dated as May12th-June 25th, 1970 when they killed scores of enemy soldiers but themselves lost countless close friends and comrades.   
     I don’t know if Ihor continued serving with the Army afterwards or whether he himself was wounded in battle. All I can say after so many, many years, “It’s great that my friend, Ihor Dopiwka, is still alive!”